Ben Scholz
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As a percussion educator, I often hear a particular question - "What kind of sticks should I buy?"  With nearly a dozen brands and literally hundreds of models, the humble drumstick has evolved to fit every possible hand size and musical style imaginable.  We've narrowed the search down to our top five favorite brands and included a how-to that will help you choose the right pair.




Vic Firth -

Legendary percussionist, Everett "Vic" Firth bills his company as the largest manufacturer of drumsticks and mallets.  This brand offers the standard 5A, 7A, and 2B sizes as well as over a hundred signature series drumsticks.  Vic Firth was the first company to offer signature lines of drumsticks, and debuted the "Steve GaddSSG model in 1982.  With its sleek black finish and light barrel tip, the SSG has become a mainstay for session drummers.  We recommend the Maple 5A for rock/pop, and Classic 7A for lighter applications.  The SD1 General is also an essential tool for rudimental work and practice-pad jamming.

Pro Mark -

Founded in 1957 by a drumshop owner in Houston TX, Pro Mark is now owned and run by D'Addario & Co.  The company was the first to successfully market sustainable Japanese oak drumsticks, and the "Shira Kashi Oak" series remains popular with heavy-hitters.  We recommend the Shira Kashi 2B Nylon Tip for "those about to rock".  For subtler situations, the Hickory 7A offers a light shaft and barrel tip that provides rebound without reducing cymbal sound.  While not technically a stick, the Hot Rod "dowel bundle rod" model is also an essential tool for low-volume acoustic settings.


Another company that was created in the basement of a drumshop, Vater established itself as a boutique designer for the likes of drummers such as Buddy Rich in the early '50's.  The company labels its hickory 5As and 7As as "Los Angeles" and "Manhattan" with respect to these regional musical hubs.  For both live and studio work, the Los Angeles 5A is well balanced with a heavier tip for fast attack on the drums.  The Manhattan 7A is popular among be-bop musicians and features a longer shaft with a round tip.  Vater is also well known for its Sugar Maple series which offers a lightweight alternative to hickory without sacrificing stick size.

Regal Tip-

Until Regal Tip was founded by Joe Calato in 1958, the problem of disintegrating drumstick tips was a drain on many an aspiring drummers' wallet.  According to legend, Joe solved this problem by chiseling a plastic screwdriver handle into the shape of a bead and gluing it to the end of his spent drumstick.  Primarily made of nylon, synthetic-tips are available as an alternative to natural wood in most makes and models of drumsticks.  While other companies offer nylon tip options, Joe claims that his "E-Tip" is "durable, yet offers the warmer sound of wood on the cymbals".  We recommend the 5A E-Tip for a variety of musical styles.  Regal Tip also manufactures a wide variety of wire brush models including the Classic Telescoping Brush, an industry standard.

Innovative Percussion-

Primarily known as a keyboard mallet manufacturer, for the past decade Innovative Percussion has made a name for itself designing high quality drumset sticks.  Featuring an extensive roster of both touring and regional artist signature series sticks, IP also promotes its Vintage and Legacy series stick choices designed for specifically for jazz.  We recommend the IP-7A hickory stick with an acorn tip for jazz cymbal work.


Synthetic tips are one option in the drumstick world, but what about something for the truly explosive drummer?  Ahead's synthetic drumsticks feature an aluminum core wrapped in a polyurethane jacket and a nylon tip.  Available in standard diameters/lengths, Ahead also offers a variety of signature models including three different Lars Ulrich custom designs.  For drummers concerned about stress related injury, we recommend the Hybrid Series with its patented Vibration Reduction System.  At over $30 a pair, these sticks are an investment, however many of the models can be fitted with replacement tips and the company offers a recycling program for broken sticks.

So once we've settled on a make/model of drumstick, mission accomplished?  Wrong.  As any luthier will tell you, wood is a fickle product that is highly susceptible to a variety of different environmental conditions.  Drumsticks are no exception and despite any manufacturer's claims, no quality control is ever 100%.  Obviously, purchasing your sticks from a local dealer is the best option.  However, this may not be convenient and many online retailers offer a wide variety of options to choose from.  When buying online, it is important to purchase sticks "as new".  Anything "used" or sold as "blemished" simply isn't worth the few dollars saved.  When purchasing sticks in-person, follow this guide -

Straight - A pair of sticks that is straight and true will not wobble when rolled across a level surface.

Weight - Most companies match the two sticks in a pair by weight.  Make sure the sticks you are using are approximately the same mass and keep them sorted in their sleeves.

Grain - The grain of a drumstick should run parallel to the length of the stick.  Again, quality control is usually good at keeping the manufacturing process uniform, however defects are not uncommon.  Hickory and oak tend to have a fairly pronounced grain, however maple grain can be difficult to see.  Any stick with an angled grain will break and should be discarded.

Pitch - Wood is an incredibly resonant material, and a large part of the "feel" in a pair of sticks is determined by the vibrations traveling through the implement.  The weight and cut of a wooden dowel will dictate the fundamental pitch of the resulting stick.  To find the pitch, pinch the stick at the fulcrum (2/3 down the stick from the tip) and tap it with your index finger while holding it next to your ear.  Two sticks with the same pitch will generally be equal in weight.

Hopefully this guide will help you choose the right pair (or pairs) of sticks for your musical ventures.

Article by Ben Scholz  Originally published 7/24/14 in The GAS Tank

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